COLLAPSE (2009)
Americans generally like to hear good news. They like to believe that a new president will right old wrongs, that clean energy will replace dirty oil and that fresh thinking will set the economy straight. American pundits tend to restrain their pessimism and hope for the best. But is anyone prepared for the worst?
Meet Michael Ruppert, a different kind of American. A former Los Angeles police officer turned independent reporter, he predicted the current financial crisis in his self-published newsletter, From the Wilderness, at a time when most Wall Street and Washington analysts were still in denial. Director Chris Smith has shown an affinity for outsiders in films like American Movie and The Yes Men. In Collapse, he departs stylistically from his past documentaries by interviewing Ruppert in a format that recalls the work of Errol Morris and Spalding Gray.
Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He draws upon the same news reports and data available to any Internet user, but he applies a unique interpretation. He is especially passionate about the issue of peak oil, the concern raised by scientists since the seventies that the world will eventually run out of fossil fuel. While other experts debate this issue in measured tones, Ruppert doesn't hold back at sounding an alarm, portraying an apocalyptic future. Listening to his rapid flow of opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded, and to sway back and forth on what to make of the extremism. Smith lets viewers form their own judgments.
Collapse also serves as a portrait of a loner. Over the years, Ruppert has stood up for what he believes in despite fierce opposition. He candidly describes the sacrifices and motivators in his life. While other observers analyze details of the economic crisis, Ruppert views it as symptomatic of nothing less than the collapse of industrial civilization itself.
Thom Powers
Toronto International Film Festival
REVIEWS FOR COLLAPSE
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"AN ERRIE PREDICTION. LET THE STOCKPILING BEGIN AS MICHAEL RUPPERT MAKES MORE OMINOUS PREDICTIONS." Flagstaff Live! | Seth Muller
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IAN, STUFFWELIKE.COM
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WILL PFEIFER, GATEHOUSE NEWS SERVICE
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"...A DARK PROPHET WITH THE ABILITY TO FORSEE DOOM." GARETT CONTI, PITTSBURGH TRIBUNE
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"THE MOST FRIGHTENING MOVIE TO COME OUT IN YEARS." CYRUS, SUN-SENTIAL.COM
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"A HIGH-WIRE PERFORMANCE BY THE SPECULATOR: MICHAEL RUPPERT." NOEL MURRAY, SUN-SENTIAL.COM
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BILLY O' KEEFE, MCCLATCHY TRIBUNE NEWSWIRE
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"RUPPERT AGGREGATES, ARGUES, SEDUCES: THE END OF THE WORLD IS NOT A WHIMPER." RAY PRIDE, MOVIECITYINDIE
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"HORRIFIYING TRAINWRECK QUALITY...CHILLINGLY PLAUSIBLE." MARYANN JOHANSON, FLICKFILOSPHER.COM (via INDIATIMES.COM)
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"COLLAPSE PAINTS AN UNSETLLING PORTRAIT OF APPROACHING DOOM." MATT FAGERHOLM, HOLLYWOODCHICAGO.COM
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DAN LYBARGER, KANSAS CITY METRO NEWS
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ROGER EBERT, CHICAGO SUN TIMES
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OWEN GLEIBERMAN, ENTERTAINMENT WEEKLY
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"CRITIC'S PICK! SHOCKINGLY PERSUASIVE....UNEXPECTEDLY MOVING." JEANETTE CATSOULIS, THE NEW YORK TIMES
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SCOTT TOBIAS, AV CLUB/THE ONION
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"LESS WAKE UP CALL THAN FOUR ALARM FIRE." ROB NELSON, VARIETY
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MICHELLE ARCHER, USA TODAY
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PATRICK GOLDSTEIN, THE LOS ANGELES TIMES
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PETER HARTLAUB, SAN FRANCISCO CHRONICLE
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SHAWN LEVY, OREGONIAN
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ROBERT ABELE, THE LOS ANGELES TIMES
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"MESMERIZING! MAKES MICHAEL MOORE SOUND LIKE MR. ROGERS." JAY STONE, VANCOUVER SUN/CANADA.COM
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indieWIRE
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TIME MAGAZINE
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JANET SMITH, VANCOUVER STRAIGHT
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"GRIPPING AND UNSETTLING....IF YOU'RE ANYWHERE NEAR WHERE IT'S PLAYING, SEE IT!" JAMES ROCHHI, MSN.COM
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BILGE EBIRI, NYMAG.COM
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KIMBER MYERS, ALLMOVIE.COM
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"WHAT MAKES COLLAPSE SO FASCINATING, FOR AS FRIGHTENING AS IT IS, IT'S ALSO LAUGH-OUT-LOUD FUNNY." MICHAEL TULLY, HAMMER TO NAIL
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ROBERT LEVIN, CRITICSNOTEBOOK.COM
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"RIVETING! YOU CAN'T TAKE YOUR EYES OFF HIM." JOSHUA ROTHKOPF, TIME OUT NY
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"FROM DIE START TO HOEFUL FINISH, COLLAPSE CERTAINLY FEATURES QUITE THE ARC." JEFF REICHERT, INDIEWIRE
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ALEX RIVIELLO, CHUD.COM
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"4.5/5 STARS! RUPPERT IS CHARISMATIC AND CONVINCING." MORGAN DAVIS, SPECTRUM CULTURE
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DAVID DAY, BOSTON WEEKLY DIG
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"THE MOVIE GRIPS YOU LIKE FEW YOU WILL EVER SEE THIS YEAR. OR EVER." MIKE WILMINGTON, ISTHMUS DAILY PAGE
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"... IT'S NOT HARD TO LEAVE THE THEATER SHAKEN." SCOTT TOBIAS, A.V. CLUB
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JOHN BLACK, DVD A DAY |



